{"id":8090,"date":"2025-08-20T11:04:40","date_gmt":"2025-08-20T11:04:40","guid":{"rendered":"https:\/\/danielkossmann.de\/?page_id=8090"},"modified":"2026-05-26T06:30:13","modified_gmt":"2026-05-26T06:30:13","slug":"curriculum-vitae","status":"publish","type":"page","link":"https:\/\/danielkossmann.de\/?page_id=8090","title":{"rendered":""},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:15%\">\n<p><mark style=\"background-color:#ffffff\" class=\"has-inline-color has-contrast-color\"><a href=\"https:\/\/danielkossmann.de\/?page_id=8090\">CV<\/a><\/mark><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-content-justification-center is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/danielkossmann.de\">Art<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<p><a href=\"https:\/\/danielkossmann.de\/?page_id=8584\">SciComm<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignfull has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left has-medium-font-size\">Artistic Statement<\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">I am a multidisciplinary artist based in Berlin, working primarily in painting and photography, and additionally in poetry. I have lived, worked and studied in Baden-Baden, Berlin, Nairobi, Dar es Salaam and Kigali. I am best known for emotionally driven mixed-media paintings and photographic work that examines public space. My practice encompasses semi-abstract, and abstract painting, alongside digital photography developed through a consciously reduced technical setup that emphasizes immediacy and attentiveness to lived environments.<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">My work is characterized by an exploration of emotional states and the existential ambiguities between the inner and outer world. Painting functions as a therapeutic and reflective process through which personal emotions, trauma, and lived experiences are translated into visual form, with a recurring interest in disintegration, fragility, and repair. I frequently employ mixed media\u2014including oil pastels, acrylics, charcoal, watercolors, recycled posters, yarn, graffiti markers, and spray paint\u2014often applied to fragile surfaces such as paper and cardboard that are cut, stitched, and reassembled. In my photographic practice, I investigate public space, social distance, and the visibility or suppression of public discourse.<\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">I have presented my work in solo and group contexts, including my first solo exhibition in 2025 at Caf\u00e9 Lulo in Berlin-Neuk\u00f6lln. I have participated in artistic exchanges and workshops in Berlin as well as in Dar es Salaam. My works are held in private collections, and I continue to develop an interdisciplinary practice that integrates painting, photography and writing as interconnected forms of emotional and artistic research.<\/p>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Education<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>International Curatorial Program<br>Node Center for Curatorial Studies<br>2025\u2013ongoing<\/p>\n\n\n\n<p>Dr. phil. African Studies<br>Humboldt University of Berlin<br>2021\u2013ongoing<\/p>\n\n\n\n<p>M.A. African Studies<br>Humboldt University of Berlin<br>2016\u20132020<\/p>\n\n\n\n<p>B.A. African Studies<br>Humboldt University of Berlin<br>2012\u20132016<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Solo Exhibitions<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Disintegration<br>Caf\u00e9 Lulo Berlin<br>2025\u20132026<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Group Exhibitions<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Last Image Show<br>Alliance Fran\u00e7aise Lusaka<br>curated by Gadi Ramadhani &amp; Emergent Art Space<br>2019<\/p>\n\n\n\n<p>Last Image Show<br>Alliance Fran\u00e7aise Dar es Salaam<br>curated by Gadi Ramadhani &amp; Emergent Art Space<br>2018<\/p>\n\n\n\n<p>junge Welt &#8220;Blende 2014&#8221;<br>jW shop gallery Berlin<br>exhibition as part of a photo competition <br>2014<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p>Curatorial Projects \/ Artist Talks<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\">Kossmann, D. &amp; Gehrmann S. (2023). &#8220;Transcultural Encounters: Reading &amp; Dialogue with Tendai Huchu.&#8221; Artist\/Author Talk (Reading &amp; Discussion) \/ Moderation. 3rd International Mother Language Day, Institute of Asian and African Studies, Humboldt-Universit\u00e4t zu Berlin, 21 February 2023.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Reading and moderated discussion with Zimbabwean writer Tendai Huchu, featuring his sci\u2011fi short story \u201cThe Sale.\u201d Focus on Chinese\u2013Zimbabwean relations, colonial\/postcolonial histories, the Belt and Road Initiative, and questions of genre and language (Shona\/English).<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Kossmann, D. (Host), Karugia, J. N., &amp; Ammann Gerlach, L. (2022). &#8220;Re-Imagining Worlds: A Conversation with Yvonne Adhiambo Owuor.&#8221; Podcast episode. De:link \/\/ Re:link podcast (SoundCloud), 24 June 2022. <a href=\"https:\/\/soundcloud.com\/de-link-re-link-podcast\/re-imagining-worlds-a-conversation-with-yvonne-adhiambo-owuor\">https:\/\/soundcloud.com\/de-link-re-link-podcast\/re-imagining-worlds-a-conversation-with-yvonne-adhiambo-owuor<\/a>.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-right is-style-plain has-small-font-size\"><em>Podcast conversation with Kenyan writer Yvonne Adhiambo Owuor on knowledge production, China\u2019s presence in Africa, and Europe\u2019s colonial legacy. The episode also discusses \u201cglobal omanyara\u201d and ways of re-imagining the world we live in.<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\">Kossmann, D., &amp; Gehrmann, S. (2021). &#8220;&#8216;This is not the 1960&#8217;?! A Reading on Chinese\u2013Zambian Relations with Mukuka Chipanta.&#8221; Artist\/Author Talk (Digital Reading &amp; Discussion) \/ Moderation. Institute of Asian and African Studies, Humboldt-Universit\u00e4t zu Berlin, 18 November 2021.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-right is-style-plain has-small-font-size\"><em>Reading and moderated discussion with Zambian writer Mukuka Chipanta on Chinese\u2013Zambian relations in A Casualty of Power (2016). Focus on China\u2019s economic and infrastructural involvement in Zambia\u2019s mining sector, labour conditions and conflicts, and literature as a lens on Belt &amp; Road impacts.<\/em><\/p>\n\n\n\n<p>Academic Publications<\/p>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li class=\"has-small-font-size\">Kossmann, D. (2024). &#8220;The China Dream in The Dragonfly Sea (2019) by Yvonne Adhiambo Owuor.&#8221; In: Ammann, L. and Adeli, J. (eds) New Silk Road Narratives: Local Perspectives on Chinese Presence along the Belt and Road Initiative. Heidelberg Asian Studies Publishing, Heidelberg. <a href=\"https:\/\/hasp.ub.uni-heidelberg.de\/catalog\/book\/1370\/chapter\/19723\">https:\/\/hasp.ub.uni-heidelberg.de\/catalog\/book\/1370\/chapter\/19723.<\/a><\/li>\n\n\n\n<li>Kossmann, D. (2024). &#8220;Exploring colonial continuities, human rights and China in Tanzania.&#8221; De:Link\/\/Re:Link Blog. <a href=\"https:\/\/www.delink-relink.de\/2024\/01\/15\/colonial-continuities-human-rights-and-china-in-tanzania\/\">https:\/\/www.delink-relink.de\/2024\/01\/15\/colonial-continuities-human-rights-and-china-in-tanzania\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2023). Owuor, Yvonne: The Dragonfly Sea. In: Arnold, H.L. (eds) Kindlers Literatur Lexikon (KLL). J.B. Metzler, Stuttgart. <a href=\"https:\/\/doi.org\/10.1007\/978-3-476-05728-0_23355-1\">https:\/\/doi.org\/10.1007\/978-3-476-05728-0_23355-1<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2021). Owuor, Yvonne Adhiambo: Dust. In: Arnold H.L. (eds) Kindlers Literatur Lexikon (KLL). J.B. Metzler, Stuttgart. <a href=\"https:\/\/link.springer.com\/referenceworkentry\/10.1007\/978-3-476-05728-0_15546-1\">https:\/\/doi.org\/10.1007\/978-3-476-05728-0_15546-1<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2021). Owuor, Yvonne Adhiambo. In: Arnold H.L. (eds) Kindlers Literatur Lexikon (KLL). J.B. Metzler, Stuttgart. <a href=\"https:\/\/link.springer.com\/referenceworkentry\/10.1007\/978-3-476-05728-0_15545-1\">https:\/\/doi.org\/10.1007\/978-3-476-05728-0_15545-1<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;LGBTI-Qs in Kenia: Zwischen kolonialen Konzepten und neotraditionellen Ansichten.&#8221; eufrika.org. <a href=\"http:\/\/www.eufrika.org\/wordpress\/lgbti-qs-in-kenia-zwischen-kolonialen-konzepten-und-neotraditionellen-ansichten\">http:\/\/www.eufrika.org\/wordpress\/lgbti-qs-in-kenia-zwischen-kolonialen-konzepten-und-neotraditionellen-ansichten<\/a>.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Journalistic Publications<\/p>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li>Ko\u00dfmann, D. (2017). &#8220;Vielfalt zeigen: Berliner Web-Serie will empowern.&#8221; LoNam: 11.08. <a href=\"https:\/\/www.lonam.de\/berliner-farben\/\">https:\/\/www.lonam.de\/berliner-farben\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2017). &#8220;CD-Kritik: Blinky Bill &#8216;We Cut Keys While You Wait&#8217;.&#8221; LoNam. 15.05. <a href=\"https:\/\/www.lonam.de\/cd-blinkybill-2017\/\">https:\/\/www.lonam.de\/cd-blinkybill-2017\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2017). &#8220;Buch-Kritik: &#8216;Blume des Trostes&#8217; von W. E. Mkufya.&#8221; LoNam. 03.05. <a href=\"https:\/\/www.lonam.de\/buch-kritik-blume-des-trostes-von-w-e-mkufya\/\">https:\/\/www.lonam.de\/buch-kritik-blume-des-trostes-von-w-e-mkufya\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2017). &#8220;Qualit\u00e4t statt Quantit\u00e4t: Mehr Bewusstsein im Wildtier-Tourismus.&#8221; LoNam. 02.05. <a href=\"https:\/\/www.lonam.de\/qualitaet-statt-quantitaet-mehr-bewusstsein-im-wildtier-tourismus\/\">https:\/\/www.lonam.de\/qualitaet-statt-quantitaet-mehr-bewusstsein-im-wildtier-tourismus\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Blauer Engel f\u00fcr Fairphone2.&#8221; taz. 24.10. <a href=\"https:\/\/taz.de\/Blauer-Engel-fuer-Fairphone-2\/!5347886\/\">https:\/\/taz.de\/Blauer-Engel-fuer-Fairphone-2\/!5347886\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Swahili Ally: Tanzania Misses Its Culture.&#8221; Udadisi. 18.10. <a href=\"https:\/\/udadisi.com\/swahili-ally-tanzania-misses-its-culture\/\">https:\/\/udadisi.com\/swahili-ally-tanzania-misses-its-culture\/<\/a><\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;&#8216;Sie haben ihre eigene Identit\u00e4t vergessen&#8217;.&#8221; LoNam. 29.09. <a href=\"https:\/\/www.lonam.de\/interview-swahili-ally\/\">https:\/\/www.lonam.de\/interview-swahili-ally\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Hei\u00df oder schei\u00df? Der taz-Produkttest: Zapatistendr\u00f6hnung: Leicht sauer beim Trinken, erdig im Abgang.&#8221; taz. 01.08. <a href=\"https:\/\/taz.de\/Zapatistendroehnung-Leicht-sauer-beim-Trinken-erdig-im-Abgang\/!5322821\/\">https:\/\/taz.de\/Zapatistendroehnung-Leicht-sauer-beim-Trinken-erdig-im-Abgang\/!5322821\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Hei\u00df oder schei\u00df? Der taz-Produkttest: Superfood mit Seifengeschmack.&#8221; taz. 18.07. <a href=\"https:\/\/taz.de\/Superfood-mit-Seifengeschmack\/!5316254\/\">https:\/\/taz.de\/Superfood-mit-Seifengeschmack\/!5316254\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Konflikt in der vegan-vegetarischen Szene: Der Vebu und die Fleisch-Firmen.&#8221; taz. 11.07. <a href=\"https:\/\/taz.de\/Konflikt-in-der-vegan-vegetarischen-Szene\/!5317350\/\">https:\/\/taz.de\/Konflikt-in-der-vegan-vegetarischen-Szene\/!5317350\/<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). Gewerkschafter \u00fcber Pestizide in Ecuador: &#8216;Das vergiftet ganze D\u00f6rfer&#8217;.&#8221; taz. 10.07. <a href=\"https:\/\/taz.de\/Gewerkschafter-ueber-Pestizide-in-Ecuador\/!5316972\/\">https:\/\/taz.de\/Gewerkschafter-ueber-Pestizide-in-Ecuador\/!5316972\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Rumba-Lingala-Konzert in Berlin: Ein Fest des Moments.&#8221; taz. 07.07. <a href=\"https:\/\/taz.de\/Rumba-Lingala-Konzert-in-Berlin\/!5320246\/\">https:\/\/taz.de\/Rumba-Lingala-Konzert-in-Berlin\/!5320246\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Protestplakate gegen Bayer und Monsanto: Mach die Welt, wie sie dir gef\u00e4llt.&#8221; taz. 04.07. <a href=\"https:\/\/taz.de\/Protestplakate-gegen-Bayer-und-Monsanto\/!5315536\/\">https:\/\/taz.de\/Protestplakate-gegen-Bayer-und-Monsanto\/!5315536\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Gem\u00fcse mit Sch\u00f6nheitsfehlern: Krumme Gesch\u00e4fte.&#8221; taz. 03.07. <a href=\"https:\/\/taz.de\/Gemuese-mit-Schoenheitsfehlern\/!5315431\/\">https:\/\/taz.de\/Gemuese-mit-Schoenheitsfehlern\/!5315431\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Hei\u00df oder schei\u00df? Der taz-Produkttest: Smart treten in der Stadt\u00ad\u00ad.&#8221; taz. 04.07. <a href=\"https:\/\/taz.de\/Heiss-oder-scheiss-Der-taz-Produkttest\/!5315432\/\">https:\/\/taz.de\/Heiss-oder-scheiss-Der-taz-Produkttest\/!5315432\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Rohstoffe in nachhaltigem Smartphone: Immerhin fast fair.&#8221; taz. 04.07. <a href=\"https:\/\/taz.de\/Rohstoffe-in-nachhaltigem-Smartphone\/!5318528\/\">https:\/\/taz.de\/Rohstoffe-in-nachhaltigem-Smartphone\/!5318528\/<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Forscher \u00fcber die Atmosph\u00e4re: &#8216;Der Ozonschicht geht es schlecht&#8217;.&#8221; taz. 01.07. <a href=\"https:\/\/taz.de\/Forscher-ueber-die-Atmosphaere\/!5315161\/\">https:\/\/taz.de\/Forscher-ueber-die-Atmosphaere\/!5315161\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Fair-Trade-Expertin \u00fcber Lage in Brasilien: &#8216;Es ist alles weg&#8217;.&#8221; taz. 28.06. <a href=\"https:\/\/taz.de\/Fair-Trade-Expertin-ueber-Lage-in-Brasilien\/!5316542\/\">https:\/\/taz.de\/Fair-Trade-Expertin-ueber-Lage-in-Brasilien\/!5316542\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Gefl\u00fcchtete im Stra\u00dfenverkehr: Mit Fotos \u00fcber die Ampel.&#8221; taz. 25.06. <a href=\"https:\/\/taz.de\/Gefluechtete-im-Strassenverkehr\/!5316167\/\">https:\/\/taz.de\/Gefluechtete-im-Strassenverkehr\/!5316167\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Neue Erkenntisse zu Mikropartikeln: Plastikpest bremst Fische aus.&#8221; taz. 20.06. <a href=\"https:\/\/taz.de\/Neue-Erkenntisse-zu-Mikropartikeln\/!5311156\/\">https:\/\/taz.de\/Neue-Erkenntisse-zu-Mikropartikeln\/!5311156\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Mitfahrvermittler in Deutschland: Blablacar will Geld.&#8221; taz. 09.06. <a href=\"https:\/\/taz.de\/Mitfahrvermittler-in-Deutschland\/!5311696\/\">https:\/\/taz.de\/Mitfahrvermittler-in-Deutschland\/!5311696\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Tripadvisor in der Kritik: Wildtiere sind kein Urlaubsziel.&#8221; taz. 08.06. <a href=\"https:\/\/taz.de\/Tripadvisor-in-der-Kritik\/!5308560\/\">https:\/\/taz.de\/Tripadvisor-in-der-Kritik\/!5308560\/<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;&#8216;Mehr D\u00fcrre und Extremer Regen&#8217;: Die drei Fragezeichen.&#8221; taz. 04.06. <a href=\"https:\/\/taz.de\/Mehr-Duerre-und-extremer-Regen\/!5306860\/\">https:\/\/taz.de\/Mehr-Duerre-und-extremer-Regen\/!5306860\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Genbaumwolle in Burkina Faso: Wei\u00dfes Gold soll l\u00e4nger werden.&#8221; taz. 01.06. <a href=\"https:\/\/taz.de\/Genbaumwolle-in-Burkina-Faso\/!5305250\/\">https:\/\/taz.de\/Genbaumwolle-in-Burkina-Faso\/!5305250\/<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Kenianische Gro\u00dfstadtpoesie.&#8221; LoNam. 01.06. <a href=\"https:\/\/www.lonam.de\/kenianische-grossstadtpoesie\/\">https:\/\/www.lonam.de\/kenianische-grossstadtpoesie\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Fairer Handel: Die Suche nach dem besten Standard.&#8221; taz. 31.05. <a href=\"https:\/\/taz.de\/Fairer-Handel\/!5308319\/\">https:\/\/taz.de\/Fairer-Handel\/!5308319\/<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Milchgipfel soll Milchbauern retten: Minister setzt auf direkte Hilfen.&#8221; taz. 27.05. <a href=\"https:\/\/taz.de\/Milchgipfel-soll-Milchbauern-retten\/!5304627\/\">https:\/\/taz.de\/Milchgipfel-soll-Milchbauern-retten\/!5304627\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Berliner Onlineplattform Fairmondo: Amazon, nur in fair.&#8221; taz. 24.05. <a href=\"https:\/\/taz.de\/Berliner-Onlineplattform-Fairmondo\/!5303257\/\">https:\/\/taz.de\/Berliner-Onlineplattform-Fairmondo\/!5303257\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Braunkohle rotest in der Lausitz: Polizei r\u00e4umt Waldcamp.&#8221; taz. 18.05. <a href=\"https:\/\/taz.de\/Braunkohle-Protest-in-der-Lausitz\/!5302758\/\">https:\/\/taz.de\/Braunkohle-Protest-in-der-Lausitz\/!5302758\/<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Schauplatz Nordwest: Admiral Brommy.&#8221; Radio Bremen. 09.05. <a href=\"https:\/\/on.soundcloud.com\/lqu7Yo51rQ2TXI9VAA\">https:\/\/on.soundcloud.com\/lqu7Yo51rQ2TXI9VAA<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2016). &#8220;Und pl\u00f6tzlich ist die Existenz dahin.&#8221; nd. 09.05. <a href=\"https:\/\/www.nd-aktuell.de\/artikel\/1011306.und-ploetzlich-ist-die-existenz-dahin.html\">https:\/\/www.nd-aktuell.de\/artikel\/1011306.und-ploetzlich-ist-die-existenz-dahin.html<\/a><\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Kommentar: Generation Terror.&#8221; nd. 17.11. <a href=\"https:\/\/www.nd-aktuell.de\/artikel\/991484.generation-terror.html\">https:\/\/www.nd-aktuell.de\/artikel\/991484.generation-terror.html<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;487 Tage ohne Urteil in \u00e4thiopischer Haft.&#8221; eufrika.org. 25.08. <a href=\"http:\/\/www.eufrika.org\/wordpress\/487-tage-in-athiopischer-haft-ohne-urteil-ohne-prozess\">http:\/\/www.eufrika.org\/wordpress\/487-tage-in-athiopischer-haft-ohne-urteil-ohne-prozess<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Street Poetry Nairobi: Ein Feature.&#8221; eufrika.org. 24.07. <a href=\"http:\/\/www.eufrika.org\/wordpress\/street-poetry-nairobi-ein-feature\">http:\/\/www.eufrika.org\/wordpress\/street-poetry-nairobi-ein-feature<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;&#8216;Spoken word is liberal&#8217; | Interview.&#8221; eufrika.org. 12.07. <a href=\"http:\/\/www.eufrika.org\/wordpress\/spoken-word-is-liberal-interview\">http:\/\/www.eufrika.org\/wordpress\/spoken-word-is-liberal-interview<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Ein Kontinent voll zeitgen\u00f6ssischer Kreativit\u00e4t | Ausstellung.&#8221; eufrika.org. 09.04. <a href=\"http:\/\/www.eufrika.org\/wordpress\/kontinent-voller-kreativitaet\">http:\/\/www.eufrika.org\/wordpress\/kontinent-voller-kreativitaet<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Kenias Mauer gegen Fl\u00fcchtlinge und Bomben | Kommentar.&#8221; eufrika.org. 01.04. <a href=\"http:\/\/www.eufrika.org\/wordpress\/kommentar-kenias-mauerbau\">http:\/\/www.eufrika.org\/wordpress\/kommentar-kenias-mauerbau<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;\u00dcbergabe von Herero-Petition an Ausw\u00e4rtiges Amt.&#8221; eufrika.org. 26.03. <a href=\"http:\/\/www.eufrika.org\/wordpress\/ubergabe-von-herero-petition-an-auswartiges-amt\">http:\/\/www.eufrika.org\/wordpress\/ubergabe-von-herero-petition-an-auswartiges-amt<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Es schmerzt noch immer: 31 Jahre Wagalla Massaker.&#8221; eufrika.org. 11.02. <a href=\"http:\/\/www.eufrika.org\/wordpress\/31-jahre-nach-dem-wagalla-massaker-in-kenia\">http:\/\/www.eufrika.org\/wordpress\/31-jahre-nach-dem-wagalla-massaker-in-kenia<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2015). &#8220;Fotografie: Kenyan Photography Awards 2015.&#8221; eufrika.org. 18.01. <a href=\"http:\/\/www.eufrika.org\/wordpress\/kenyan-photography-awards-2015\">http:\/\/www.eufrika.org\/wordpress\/kenyan-photography-awards-2015<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Buchrezension: Sanaa Mtaani \u2013 Art in the City.&#8221; eufrika.org. 21.12. <a href=\"http:\/\/www.eufrika.org\/wordpress\/sanaa-mtaani\">http:\/\/www.eufrika.org\/wordpress\/sanaa-mtaani<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Afrikanisch-Europ\u00e4isches Musikprojekt &#8216;Ten Cities&#8217; in Berlin.&#8221; eufrika.org. 05.11. <a href=\"http:\/\/www.eufrika.org\/wordpress\/afrikanisch-europaisches-musikprojekt-ten-cities-in-berlin\">http:\/\/www.eufrika.org\/wordpress\/afrikanisch-europaisches-musikprojekt-ten-cities-in-berlin<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Check ya Mziki: Interview mit dem Berliner Musiker Badawi Poa.&#8221; eufrika.org. 01.10. <a href=\"http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-interview-mit-dem-berliner-musiker-badawi-poa\">http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-interview-mit-dem-berliner-musiker-badawi-poa<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Check ya Mziki: Heavily skilled with beats and raps \u2013 Senegalese MC Goormak.&#8221; eufrika.org. 17.07. <a href=\"http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-heavily-skilled-with-beats-and-raps-senegalese-mc-goormak\">http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-heavily-skilled-with-beats-and-raps-senegalese-mc-goormak<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Trans-African Road Tripping: From Lagos to Sarajevo in 151 days.&#8221; eufrika.org. 20.06. <a href=\"http:\/\/www.eufrika.org\/wordpress\/trans-african-road-tripping-from-lagos-to-sarajevo-in-151-days\">http:\/\/www.eufrika.org\/wordpress\/trans-african-road-tripping-from-lagos-to-sarajevo-in-151-days<\/a>. <\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Fotografie: Ausstellung von Zanele Muholi im Schwulen Museum* Berlin.&#8221; eufrika.org. 03.06. <a href=\"http:\/\/www.eufrika.org\/wordpress\/fotografie-ausstellung-von-zanele-muholi-im-schwulen-museum-berlin\">http:\/\/www.eufrika.org\/wordpress\/fotografie-ausstellung-von-zanele-muholi-im-schwulen-museum-berlin<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Fotografie: Mwangi Kirubi wirft ein neues Licht auf Kenias Landwirtschaft.&#8221; eufrika.org. 24.04. <a href=\"http:\/\/www.eufrika.org\/wordpress\/fotografie-mwangi-kirubi\">http:\/\/www.eufrika.org\/wordpress\/fotografie-mwangi-kirubi<\/a><\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Check ya Mziki: &#8216;This Is Africa&#8217; App f\u00fcr iphone und android.&#8221; eufrika.org. 08.04. <a href=\"http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-this-is-africa\">http:\/\/www.eufrika.org\/wordpress\/check-ya-mziki-this-is-africa<\/a>.<\/li>\n\n\n\n<li>Ko\u00dfmann, D. (2014). &#8220;Buch: &#8217;50 Jahre Afrikanische Un-Abh\u00e4ngigkeiten \u2013 Eine (selbst)kritische Bilanz&#8217;.&#8221; eufrika.org. 04.04. <a href=\"http:\/\/www.eufrika.org\/wordpress\/buch-50-jahre-afrikanische-un-abhangigkeiten-eine-selbstkritische-bilanz\">http:\/\/www.eufrika.org\/wordpress\/buch-50-jahre-afrikanische-un-abhangigkeiten-eine-selbstkritische-bilanz<\/a>.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CV Art SciComm Artistic Statement I am a multidisciplinary artist based in Berlin, working primarily in painting and photography, and additionally in poetry. I have lived, worked and studied in Baden-Baden, Berlin, Nairobi, Dar es Salaam and Kigali. I am best known for emotionally driven mixed-media paintings and photographic work that examines public space. My [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8090","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/pages\/8090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danielkossmann.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8090"}],"version-history":[{"count":112,"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/pages\/8090\/revisions"}],"predecessor-version":[{"id":8725,"href":"https:\/\/danielkossmann.de\/index.php?rest_route=\/wp\/v2\/pages\/8090\/revisions\/8725"}],"wp:attachment":[{"href":"https:\/\/danielkossmann.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}